For those in the mood for disco to bend their backs to while still feeling the strain of Fake Blood’s loony tune I Think I Like It, Jason Phats, authoritatively authentic, busts out the rainbow suspenders for a bass-headed funk on a roll to reintroduce Afrocuts as a purveyor of pukka platters. And yes, the title is partially based on JP getting his snout fixed. Joined later on by a super-fly scat man and the vocals of a spinner you can imagine directing operations up in the gods of the amphitheatre, nine minutes worth of swinging those hips is true homage to the extended disco mix of the '70s, spanning whooping if you wanna go faster, the sounds of a Studio 54 scenester throwing her head back in sexual ecstasy, and mischievous horn blasts and flute toots that enter the stage through the back door.
Some will find what’s a marathon funk loop exhausting, others will throw this on as the perfect scene-setter or epic concluder. So while it doesn’t explode or escalate, the breakdown not being revelatory, it lets you find your stride and go delving accordingly, whether you’re a dipper inner outer or a headfirst hedonist. Essentially Phats admits you entry to the disco timewarp, and the sights and sounds around you come from your head. More for the handbag house set comes a dub that weans off the disco for a throwaway bounce and bubble up, and a Classic mix plays as gateway between the two.